Category Archives: events

Khairani Barokka:poet/disability & arts advocate at Bare Lit Festival 2016!

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Okka

Khairani Barokka

We met the lovely poet and disability and arts (self-)advocate Khairani Barokka who came to our AGM. We are delighted that she will be performing at the award-winning Betsey Trotwood pub to celebrate the debut of Bare Lit Festival 2016!

She will also be on the Panel:

Second Generation Poets in Exile.

We wish her all the best!! and hope a few of us will manage to get to see her performance!

Okka’s bio

Khairani Barokka (b. 1985) is a writer, poet, and interdisciplinary artist. She is also a practitioner of think/do advocacy in the arts, particularly on the ways in which innovation in storytelling can increase inclusion and access for and by disability cultures and feminisms (both of which she is happy to be a part of). Born in Jakarta, Okka works, teaches, and is published internationally, in print and online (see WRITING for recently published and forthcoming work). Her lectures, performances, workshops, and/or projects have been presented extensively, in India, the US, Australia, Malaysia, the UK, Austria, Germany, Singapore, and her native Indonesia. She has a masters from ITP at NYU’s Tisch School of the Arts, as a Tisch Departmental Fellow, working on participatory, interactive art, literature, and social issues storytelling. Her BA (High Honors, College Scholar) was from Middlebury College in Sociology/Anthropology.

 

Okka is the writer, performer, and producer of a hearing-impaired accessible solo show, “Eve and Mary Are Having Coffee” (with a grant from HIVOS as main sponsor), which premiered at Edinburgh Festival Fringe 2014 as Indonesia’s only representative. Previously, she pioneered the production of the first live-streamed spoken word shows in Indonesia, involving cross-national collaborations, with a focus on social justice/disability justice. As an independent scholar, she is a member of the International Federation for Theatre Research (IFTR), and has presented at international conferences, festivals, and as a two-time TEDx speaker (Jakarta and Youth@Chennai). Okka was profiled in UNFPA’s book “Investing in Young People in Indonesia: Inspirational Young Leaders Driving Social Change” (2014) for raising awareness of disability issues and perspectives through art and writing. She has also been featured widely in national and international media, among them multiple ABC Australia appearances (radio and television), RRR (Aus), The Hindu (India), The Times of India, The New Current (UK), and all major Indonesian newspapers and media including National Geographic, Esquire, and BBC Indonesia (see PRESS for complete list).

 

Okka was most recently Artist-In-Residence at Rimbun Dahan (Malaysia, 2014-15) for 6 months, where she worked on writing projects as well as using text in mixed media works. She has also held residencies at Vermont Studio Center (US, 2011; with a grant for poetry, as first Indonesian writer-in-residence), Tutti Arts (AUS, 2013), the EQUILIBRIUM Project at Sandarbh (India, 2014), Jatiwangi Art Factory’s Village Video Festival (Indonesia, 2012) and was Emerging Writers Festival’s (AUS) Inaugural International Writer-In-Residence for 2013.

 

Her first book as sole author, a poetry-Braille-art production entitled “Indigenous Species” (also to be made available in non-Braille versions), will be out in late 2016 with Tilted Axis Press (UK). “HEAT”, an anthology of Southeast Asian urban writing co-edited with Ng Yi-Sheng for Buku Fixi Publishing (Malaysia), will be launched at the London Book Fair in 2016. In September 2015, Okka began a PhD by practice in Goldsmiths’ Visual Cultures Department, on an LPDP Doctoral Scholarship. She continues her work at the intersections of writing, art, disability cultures and participatory narratives with a long-awaited project–it’s been given the enticing codename “Project A”, as lacklustre codenames are significantly underrated as a method of approaching secret missions.

Disabled women at Feminism in London 2015

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We were asked to organise a disabled women’s panel at this year’s Feminism in London Conference in October.

A big thank you to Lisa-Marie Taylor, FIL’s organiser, for inviting us!

We did some publicity by having a stall and we ‘re grateful to Annabel, Zara, Jacqueline and Sophie for helping us with the stall!

(Click on photos to get a bigger photo)

Real Media came to do do a short video feature on it – many thanks!

transcript FIL SOF panel (Word doc)

Frances Ryan also wrote a piece for the Guardian on the event A Disabled Woman’s struggle is any woman’s struggle

Obi was kind enough to video the whole event – if you wish to follow it in its entirety

http://bambuser.com/v/5877942

great additions from Nidhi Goyal and Asha Hans Part 1

http://bambuser.com/v/5878073

with Q&A from audience

Individual videos

Asha Hans video

TRANSCRIPT Asha Hans (Word doc)

Nidhi Goyal’s video

TRANSCRIPT Nidhi Goyal (Word doc)

Frances Ryan’s video

TRANSCRIPT Frances Ryan (Word doc)

Becky Olaniyi s video

TRANSCRIPT Becky Olaniyi  (Word doc)

Rebecca Bunce’s video

TRANSCRIPT Rebecca Bunce (Word doc)

Kirsten Hearn’s video

TRANSCRIPT Kirsten Hearn (Word doc)

Thank you all for having taken part in the event!

Disability is not our only identity: An interview with Becky Olaniyi

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Becky Olaniyi

Becky Olaniyi

In anticipation of this year’s Feminism In London conference (October 24-25), Alicen Grey talks with Becky Olaniyi about disability, feminism, and the challenges and lessons of being an activist at the intersection of identities.

See the rest of the interview at the Feminist Curent.

Becky is the youngest member of our steering group but she’s a brilliant speaker. Its not too late to get tickets for the workshop. And if you have difficulties paying, just let them know.

Sisters of Frida: Disability & Sex/uality Workshop, Part 1

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Disability & Sex/uality

Workshop, Part 1  

Sisters of Frida invites you to the first Disability and Sex/uality workshop on 19 September 2015 at Unity Church Hall, 1-5pm. This workshop is for self-identified disabled women who want to create a space to talk about disability, sex and sexuality.

The workshop

As disabled women we have a wide range of experiences, positive and negative, around disability, sex and sexuality. Disabled women are sexy, sexual, passionate, loving, caring, desirable, hot, beautiful, strong and much more! Our experiences of sexuality are also affected by different kinds of oppressions as ableism, racism, sexism, heteronormativity, classism and age.

This workshop is the first meeting of the project Disability and Sex/uality we are developing. In this workshop we will explore the different themes around sex and sexuality that arise from our experiences. We will also look at what we want to explore more and what work needs to happen to develop this project.

The project

The idea for this project arose from a screening of the documentary AccSex, which showed how a group of disabled women in India experience their sexuality. This project is part of Sisters of Frida. We are setting up this project out of a need to create a space where we can safely discuss our sexuality in a supportive and empowering environment.

Registration

The topics we will discuss can be sensitive, for this reason, please contact us directly to register and discuss participation as this will be a closed meeting: sof.disabilitysexuality@gmail.com. Note that places are limited, please get in touch as soon as possible. Deadline for registration is 6 September.

Accessibility and needs

The venue is wheelchair accessible. There is an accessible toilet, but without a hoist. There is a small room that people can use for quiet-time. Please get in touch as soon as possible if you need BSL, transcription or if you have other access needs. If you have any concerns or queries about the nature of what might be discussed in the workshop and how it could relate to your experiences, please get in touch. This is a peer-support group, we cannot offer professional support.

We look forward to hearing from you!

Date: 19 September 2015

Time: 1pm – 5pm

Where: New Unity Unitarians

Address: 277A Upper Street, Islington, London N1 2TZ

Contactsof.disabilitysexuality@gmail.com

Deadline for registration: 6 September 2015

Accessibility: Please get in touch to discuss your needs

At Sparks London

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At Sparks London
the spark banner

the spark banner

The Spark is a completely free festival of ideas, discussion, art, performance and more looking at how we can bring about positive change here in the UK and around the world 20 – 26 July 2015.

Ciara Doyle leading the workshop

Ciara Doyle leading the workshop

Sisters of Frida were invited again after last year’s participation. Some of us participated at Sparks and lead workshops.

Ciara and Dyi had a workshop: The ability in disability: questioning the idea of being healthy and well-being

This workshop asks what is ‘normal’? It explores ideas around ‘ability in disability’, ‘normal health’ or ‘healthy’. It encourages a curiosity about understanding ableism as a system that affects everyone by dictating what is ‘normal’ around ability, including ideas and practices around ‘health’ and ‘well-being’.

Facilitated by:

–Ciara identifies as an activist, an academic, queer, disabled.

–Dyi has been an activist in Amsterdam around issues of gender, race, reproductive rights, and age/generation and now, in London, tries to catch up on issues of disability and sex/uality while fluctuatingly ill and doing a PhD

Dyi was actually not well on the day and Ciara did it on her own with a great interactive discussion on.

The workshop after that was Equality and being inclusive and accessible

Everyone says they are aiming for equality however they do not always factor in being inclusive and accessible. Physical, hidden and logistical barriers can very often prevent people from being properly involved. Although nearly always unintentional, this exclusion has a negative impact on the campaign and access isnt always easy to add on later.

Non disabled people do not always understand what barriers disabled people face in going about day to day activities – eg. having steps to a physical meeting place mean wheelchair users are excluded, having information only available on pdfs mean that blind people who use text reader to access electronic information are left out and if you have meetings that start very early in the morning might mean that people who need personal assistance to get ready or those who have chronic issues might find it logistically challenging to make it to your meeting.

facilitated by Eleanor Lisney, an access adviser who is also a wheelchair user.

At the Four Fridas!

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Annabel and Eleanor were at the Sisters of Frida’s stall at the Four Fridas, ( excerpt from website below) part of the Greenwich and Docklands Festival.

Annabel and Eleanor

Annabel and Eleanor

The Four Fridas will be a spectacular, outdoor theatre production celebrating the life and work of the legendary Mexican artist Frida Kahlo. Audiences will be immersed in a visually thrilling experience, integrating elements of ritual, music, narration, contemporary dance and aerial choreography, played out against stunning video projections in the sky.

Taking inspiration from Frida Kahlo’s lifelong empathy with indigenous Mexico, The Four Fridas will feature a rare opportunity to see the breathtaking ritual flight of the Voladores. The production brings together an exciting creative team led by GDIF’s Artistic Director Bradley Hemmings, including a specially commissioned appearance by Shechter Junior, a new young ensemble of talented dancers from Hofesh Shechter Company, alongside an innovative collaboration between leading UK aerial dance company Wired Aerial Theatre and BAFTA Award winning film maker Tal Rosner, together with film animation by artist Rachel Gadsden. The production is designed by Georgia Lowe with an original script by award winning writer Jay Griffiths, music by BAFTA Award winner Dan Jones and lighting by Olivier Award winning Natasha Chivers

We asked if we could have a stall to give information on Sisters of Frida. The crew there kindly gave us a space at the front of stage and we shared between the cocktail van and the stand which sold Mexican sweets. We had lots of interest and even some friends visiting! We had quite a few enquiries and interest in our badges and postcards.

postcards write to sisofrida@gmail.com if you would like badges or cards

postcards write to sisofrida@gmail.com if you would like badges or cards

badge

badge in two sizes

At 4fridas with Sophie Partridge and friend, Taharah

At Four Fridas with Sophie Partridge and friend, Taharah

Here are some photos from the spectacle!

Four Fridas

Four Fridas spectacle  

Four Fridas

Four Fridas

 

Lucia Bellini’s speech for Million Women Rise 2015 at Trafalgar Square

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Lucia

Lucia

Sisters of Frida Steering group member, Lucia, spoke for disabled women against domestic violence and violence against women at Million Women Rise at Trafalgar Square. Lucia works to tackle violence and abuse against disabled and Deaf people.

Lucia and Ruth Bashall from StaySafe East

Lucia and Ruth

Claire Cunningham: Is dance without disabled performers actually… a bit boring?

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Claire Cunningham started the discussion on Disability and Feminism at the WOW Festival with her speech below. Many many thanks to her for allowing us to publish it here.

Claire Cunningham

Claire Cunningham (photo from WOW website)

I am one of those individuals – whom perhaps some of the panel may despair of! I don’t know… That doesn’t really know what the identity of being a woman means for me. I think for me it has been quite eclipsed – in my dealings with others, but perhaps more so in my view of myself, with my identity of being a disabled person. And a disabled artist. And that is partly my own fault because of my fascination with what I have felt that disability that offers to my work. But that is also because I have went on a quite significant journey with that aspect of my identity, and I am not sure that I have gone on the same one yet with regard to being a woman.

Being here – and having been present at Women of the World festival in the last couple of years, definitely are part of that process for me, and of raising awareness in me that there are aspects of my being that I have quite purposely ignored and not dealt with. And like my shifting awareness around disability its a journey taken once you have found the people who shine a light on the subtle difficulties, and differences and behaviours that discrimination creates that you just have not noticed most of your life, because you didn’t know any other way.   I grew up just as blinkered about what it meant, or looked like, to be a woman, as I did about what it meant to be disabled.

I’m going to talk specifically about my journey regarding my perspective on disability, but I know it is just as applicable to viewing myself as a woman. But I just don’t think, if I’m honest, that I’ve convinced myself as much yet on that front. I think there is more de-programming I need to do on myself in that regard. Being here is part of that for me. Deprogramme old and imbedded notions of womanhood and soak up the endless possibilities of what it could mean…

I grew up not wanting to be disabled. I went to ‘mainstream’ schools and was the only child in those schools that had a visible impairment, a physical impairment related to Osteoporosis, that meant when I turned 14 I had to start using crutches. I kept thinking I would be off them in 6 weeks, next month, a few months, next year….its been 24 years….

I hated my crutches. With a passion. I became convinced – in those awful teenage years -that the crutches, and my physicality meant I was repulsive. I felt very ‘other’.

So I grew up with no role models – no disabled people to show me that it was ok to be disabled. Just the typical western media filled with images of bodies that were non-disabled. This was the ideal. This is how you are supposed to look. Portrayals I did see of disabled people – either they were objects of pity. To be helped. Or movie villains – people who had acquired an impairment and were so bitter about it they would therefore blow up the world as revenge, or alternatively kill themselves at the prospect of living as a disabled person.

So someone no-one wanted to be.

On being asked “Whats wrong with you?” I didn’t think twice to tell people what my medical diagnosis was. On being offered the prayers of strangers who wanted to pray that I would be healed… I didn’t question this. I was imbued from all sides with the idea – not consciously – that it would be preferable to not be in my state. That of course I would want to be ‘fixed’. That there was, naturally, something wrong with me. Or indeed, I was ‘unnatural’….

I did want to be fixed.

Then in 2005 I had an epiphany. My road to Damascus moment. I discovered dance. I didn’t mean to. It was an accident, I had never intended to dance. I had always thought dance was for-as I would have referred to them at that time – the ‘able-bodied’. Superfit people. People who could move really quickly, and jump and had straight pointy legs and straight pointy arms…clean lines. That’s not my body.

But what I began to see, was that the way my body had developed and evolved – through using the crutches meant it had great strength, and very specific strength. By that time I had been using the crutches for 14 years. My body had also grown certain skills and knowledge – it understood – without me thinking about it, how the crutches were weighted, how my weight was positioned on them, how to manipulate this skillfully, how to dance with them.

I discovered that giving my crutches to young, super-fit non-disabled professional dancers – they actually couldn’t do what I could do.

I began to accept that my use of crutches was offering me opportunity – as an artist, And in recognizing this I began to take on the identity of being a disabled person for myself, as opposed to being identified by others. I began to acknowledge that it shaped my work literally, but also that my lived experience of being disabled meant that I had a unique perspective on things and this was something I began to treasure.

Working in dance brought me into a world where the body is at the centre, its the tool of the artform, and it was now all about letting people see my body and how it moved. Therefore what also came with that was discussions around the aesthetics of bodies. Dance is, to me, the most body fascist of all arts and there is indeed the tradition that only young, superfit, non-disabled (and in this country still predominantly white) bodies are mostly what is seen onstage. Personally I just find this rather boring. My interest has been to push the notion that disabled bodies are not ‘wrong’ but rather different, therefore present more interesting, unexplored possibilities for movement. More colours on the palette you might say.

I told a leading national (non-disabled) dance company that I honestly wasn’t that interested in choreographing for them -‘You all kinda look the same to me…”, I told them. These young dancers were horrified… “but you cant say that! That’s discrimination!”

Yes. Yes it is discrimination. Of course I don’t truly mean it, but I am not choosing that quite controversial –and loaded- phrase by accident. It is fascinating to me to see the reaction it provokes. To suddenly see people who have assumed that they are in a better position than you, who think they would not want to be you, presented with the idea that perhaps I would not want to be them. Their bodies are not my ideal…

Now I’m not saying being disabled is a wonderful or easy thing. I don’t in any way mean to underplay or be flippant about the experience of those who have much more limiting or debilitating medical conditions than me, and who do face huge problems in terms of discrimination or lack of opportunity. But I do know many disabled people that have said openly to me that they would not want to be otherwise. Of course that is not true of everyone, but I feel that if we can start to shift the way disability is viewed, to a more acceptable, positive and valid experience, part of the diversity of humanity rather than a mistake, then it will only help everyone.

The natural progress of the human body as it ages is to develop impairments. Its a loss and therefore people grieve it….but it is natural. And as long as we treat disability as being something inferior, or shameful, we make it harder for everyone. This may seem a little flippant to some but -who doesn’t know a grandparent or ageing parent who is losing their hearing or developing difficulty walking but refuses to get a hearing aid, to get a walking stick…? I believe that the shame around disability is very much linked to this. The idea that the state of disability is inferior and undesirable reinforces this.

Disability, for me, is a state of existence, a way of being in the world. It is related to having a medical condition, and to how I am treated in the world, and the perspective that gives me- but it is not everything that defines me. I have and can have many identities -I’m a human being. I’m Scottish. I’m short. I’m white. I’m an artist. I’m a European. I’m an aunt. I’m single. I’m a homeowner. I’m a daughter. I’m a thirty-something. I’m a sister…. I’m a woman….

And I’m disabled. I would not want to not be disabled. I would not be the person I am. No offence to any of you out there who’s not disabled, I’m sure you’re great, I really wouldn’t want to be you….

I’m doing fine now….

Joining the Sisters Uncut Valentine Day’s Revolt – Saturday 14th February

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Two Sisters of Frida joined the Sisters Uncut Valentine Day’s Revolt direct action in London on Saturday which started from Green Park Station.

Eleanor holding the Sisters of Frida banner

Eleanor holding the Sisters of Frida banner

 

We marched to Picadilly in the rain where some laid flowers in memory of women who died as a result of domestic violence. ( We were not able to go up the steps to do it.) We also kept a minute silence. The manifesto was also read out

Sisters Uncut Feministo

We are Sisters Uncut. We stand united with all self-defining women who live under the threat of domestic violence, and those who experience violence in their daily lives. We stand against the life-threatening cuts to domestic violence services.We stand against austerity.

In the UK, two women a week on average are killed at the hands of a partner or ex-partner. The cuts make it harder for women to leave dangerous relationships and live safely. Safety is not a privilege. Access to justice cannot become a luxury. Austerity cuts are ideological but cuts to domestic violence services are fatal.

Every woman’s experience is specific to her; as intersectional feminists we understand that a woman’s individual experience of violence is affected by race, class, disability, sexuality and immigration status.

Doors are being slammed on women fleeing violence. Refuges are being shut down, legal aid has been cut, social housing is scarce and private rents are extortionate.

What’s more, local councils are selling out contracts to services who are running them on a shoestring – putting the safety of survivors at risk and deteriorating the working conditions for those who work with abused women.

To those in power, our message is this: your cuts are sexist, your cuts are dangerous, and you think that you can get away with them because you have targeted the people who you perceive as powerless.

We are those people, we are women, and we will not be silenced. We stand united and fight together, and together we will win.

 

Demands

  • No more cuts to domestic violence services
  • Restore funding that has been cut
  • Secure funding for specialist domestic violence services; this should be ring-fenced* at a national level.
  • Local Authorities to fully meet the demands of their communities, recognising that different women have different needs.
  • Guaranteed access to legal aid for women experiencing domestic violence.
  • Provide access to safe and secure social housing for women who otherwise cannot afford to flee.
  • Panic rooms should not be classified as a spare room under the Bedroom Tax.
  • Safety should not be subject to immigration status; extend access to safe housing to women with no recourse to public funds.
At Picadilly, in memoriam for women who died as a result of domestic violence

At Picadilly, in memoriam for women who died as a result of domestic violence

We took off from there to Oxford Circus where we formed a circle and stopped the traffic, blocking buses and taxis on a very busy junction and women were chanting and shouting for sisters who died from domestic violence.

Sisters stopping traffic at Oxford Circus

Sisters stopping traffic at Oxford Circus

It was good to be there. We hope to be able to join them at their meetings and invite them to our events and campaigns in the future.